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Jurgenson , n. Plate Plate M. New York: E. Kalmus , n. Catalog K later Belwin-Mills, Alfred. Editor Pavel Lukyanchenko.

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Pagination - , , ; Editor "Specially edited by the composer". New York: G. Schirmer , Plate , This file is part of the Sibley Mirroring Project. Editor First edition. From Pratt Harp Collection. Arranger composer. Prokofiev, Sergey. Jurgenson , Plates Early 20th century. Prokofiev Catalogue All Music Guide.

10 Pieces for Piano, Op. 12: No. 10, Scherzo

Scherzo humoristique No. Donald Macleod delves into the life and work of the prolific composer and virtuoso pianist through five intriguing images. Jean-Philippe Rameau. Donald Macleod explores the operas of Jean-Phillipe Rameau. At his death in , Rameau, by then an octogenarian, had more than 30 stage works to his credit. Up to that point, although details about his life are surprisingly patchy, he appears to have held a succession of posts in the provinces, as an organist, teacher and theoretician, seemingly without even a whiff of greasepaint.

Then, at an age when one might assume his chosen path was settled, Rameau upped sticks, came back to Paris and conquered the stage with breathtaking speed. Across the week Donald Macleod focusses on those heady, initial years in the French capital, building a picture of what made Rameau into a highly successful, if controversial, theatrical composer. Felix Mendelssohn. Donald Macleod journeys through the life of Felix Mendelssohn. Mendelssohn was a leading figure of German music in his day, and became something of an international celebrity. He was at the very forefront of music making during the s and s, as a composer, conductor, pianist and organist.

He composed music in many genres including concertos, oratorios, symphonies, songs and chamber music. George Gershwin. Donald Macleod explores the life and music of George Gershwin. For many, he was the foremost composer of the "jazz age" and it's through jazz-inflected interpretations that his music has reached its widest audience. Next, Donald tells the story of Gershwin's excursions in the concert hall.

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His memorable musical experiences with the local Gullah people eventually inspired his magnum opus, the opera Porgy and Bess. Nikolai Rimsky-Korsakov. Andante tranquillo Sadko, Op. Billy Strayhorn. Donald Macleod looks at five key environments that shaped Billy Strayhorn's personal and musical trajectory. Strayhorn cut free and moved to New York, where his path crossed with Duke Ellington.

Work took him to Hollywood - Donald explores the reasons why this turned out to be both an opportunity and a source of disillusionment. Finally, Donald charts the ups and many downs of Strayhorn's final years, which he spent in Riverside Drive, New York. Gioachino Rossini. Donald Macleod presents five takes on the life and music of Gioachino Rossini. Donald starts by unpacking the winning formula Rossini hit on right at the start of his operatic career.

Donald begins by leading us through a gallery of the musical portraits that Couperin composed — depicting his contemporaries Lully and Corelli, his aristocratic patrons, and well-known mythological figures. Throughout his glittering career at court, Francois Couperin maintained a loyal connection with his family church and dedicated several works for liturgical use there.

Finally, Donald examines how Couperin embraced the new musical idioms emerging from other countries, and in particular introduced Italian flavours to his native French style. Anton Bruckner. Donald Macleod explores five personality traits of the strange genius Anton Bruckner. His many musical revisions were driven by artistic insecurity, criticism and his constant search for proportion and balance.

Donald is joined by Professor Koraljka Kos and Professor Iskra Iveljic to discuss the known facts about the life and music of this Countess and her family. Through her position she did have the opportunity to study in Germany with noted music teachers of the day, and met and collaborated with some of the literary giants of the early twentieth century.

Upon her death at the age of only 37, she left a catalogue of over one hundred compositions displaying a unique voice now largely forgotten. Hubert Parry. Marking the centenary of his death, Donald Macleod explores the life and work of Hubert Parry. Donald begins with the story of Parry's early years, rooted at Highnam Court in Gloucestershire, before looking at the period he was centred around Orme Square in London, the home of his teacher and mentor Edward Dannreuther.

Another hugely important institution to Parry was the Royal College of Music - in time, he would become Director of the College and an inspiration to the next generation of composers. Thea Musgrave. Donald Macleod is in conversation with Thea Musgrave as she celebrates her 90th birthday. Donald and Thea begin by discussing her dream of becoming a composer, and the dreams that have inspired her works.

Born in Edinburgh, Thea left her medical degree for music, winning a composition prize which took her to Paris to study with Nadia Boulanger. A dream about a subversive clarinettist helped formed the idea for her breakthrough commission from the CBSO, the Concerto for Orchestra. They talk about her early electronic experimentation, and her idea of the dramatic abstract, where she experiments with spatial configurations of players and acoustic possibilities.

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In she was offered the post of Guest Professor at the University of California at Santa Barbara and has lived and made her life as a composer in the States ever since. Donald asks her about her approach to teaching and encouraging young composers. Finally, Thea reflects on the continuing pleasure she derives from composing, as well as her on-going friendships with players, and she stresses the vital part that music plays in all of our lives.

Sergei Rachmaninov. Reluctant even to visit at first, and once there always more than a little homesick, this proudly Russian composer in fact lived in the United States of America for 25 years, from the end of the First World War until his death in His intense performing schedule left him exhausted — we hear about the year , which dedicated solely to composition, and how he found productive solace during his in summers in Switzerland.

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Although Rachmaninov was slow to embrace his adopted country, never really learning proper English and always looking back longingly to mother Russia, he did come to love the United States, and eventually, in the final year of his life, became a citizen. Rachmaninov Liebeslied arr. Pyotr Ilyich Tchaikovsky. Donald Macleod explores the conflicted relationships and mysteries in the life of Pyotr Ilyich Tchaikovsky.

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  • Epilogue.

His need to earn a living and support himself by the music he composed led to an unconventional connection with one wealthy woman in particular. Tchaikovsky was a mystery to the end, and there are many questions surrounding the puzzle of his death, which happened just days after the premiere of his sixth symphony, considered by many to be his finest work.